![]() MANUAL DEL ARTISTA RAY SMITH PDF SERIESHis first series of photorealistic self-portraits, Untitled (After Sam) (2005–06), was painted after black-and-white photographs of Stingel taken by American photographer Sam Samore. Since 2005 Stingel has been painting photorealistic portraits of himself and others, as well as captivating views of mountains and sunsets. Eschewing the preciousness of the artist’s unique mark in favor of the collective gestures of thousands of viewers, Stingel repeated this participatory installation at the 50th Biennale di Venezia (2003) Palazzo Grassi, Venice, (2006) and at his retrospective at the Museum of Contemporary Art, Chicago (2007), which traveled to the Whitney Museum of American Art, New York, later that year. In 2001, for his solo exhibition at the Museo d’Arte Moderna e Contemporanea in Trento, Italy, Stingel lined every available surface of one of the rooms of the museum with metallic Celotex insulation board and visitors drew, wrote, and made imprints on the surface of the reflective silver paneling. Panels of pink, white, blue, or green Styrofoam (often featuring their industrial logos) become platforms for Stingel’s patterns and gestures: from more mechanical grids of circles and ellipses to meandering lines and footprints. These were followed by the Styrofoam works of the late nineties and early 2000s. Boldly colored, the works are cast from sections of shag carpets, yet they hang on the wall like minimalist paintings. In 1994, he created a series of monochromatic works cast in polyurethane, rubber compound, aluminum, or bronze. The tensions between wall and floor, tactility and illusion run throughout Stingel’s oeuvre. And in 2004, his site-specific installation Plan B incorporated Stingel’s career-long interest in patterns and repetition, covering the floors of Grand Central Terminal’s Vanderbilt Hall in industrially printed pink and blue floral carpet. Two years later, at the Biennale di Venezia, Stingel installed a red-orange carpet on the wall, further commenting on the power of display. Confronted with empty white walls, visitors instead could consider the pictorial qualities of the architectural interior. In 1991, Stingel installed a bright orange carpet in Daniel Newberg Gallery, activating the space in an unprecedented way. In his screenprints of these years, Stingel created impressions using folded and creased tulle, then sprayed over the compositions with silver spray paint. MANUAL DEL ARTISTA RAY SMITH PDF HOW TOIn 1989, he completed Instructions, a limited-edition manual explaining (in several languages) how to make one of his silver paintings, abstract canvases with undertones of red, yellow, or blue. Often dealing with subjects of time, memory, and perception, he embraces industrial materials and ornamental design as vehicles for formal exploration and provoked coincidence, whereby the final state of certain installations is determined by the participation of the viewer.īorn in Merano, Italy, Stingel grew up in the Tyrolean Alps, a mountainous region where Austria, Italy, and Switzerland meet. It's well organized, easy to find things in, and a generally great short reference.I wouldn’t know where to say intervention stops and destruction begins.įrom his captivatingly realistic oil paintings to his innovative use of Celotex, Styrofoam, carpet, and aluminum, Rudolf Stingel challenges traditional notions of what constitutes a painting. Different marks, painting on glass, watercolor, acrylic, ink, oil, pastels, charcoal, various types of brushwork. There are photo examples for just about everything- from various underpainting techniques to what the same paint will look like over several different types of gesso. ![]() I keep a copy in my studio and use it for myself as well as students. Easy reference for beginning artists with nice tricks and details that an experienced artist will appreciate. ![]() Different marks, painting on glass, watercolor, acry This is a great run-down of a wide variety of materials and how they work and techniques for 2D art. ![]() This is a great run-down of a wide variety of materials and how they work and techniques for 2D art. ![]()
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